Review Fake Dating Adrian Hunter

Cover Fake Dating Adrian Hunter

Fake Dating Adrian Hunter is a romantic comedy by Skyla Summers that brings the heat and the hilarity in equal portions. The premise is similar to the movie Anyone But You. Please note that this book was written before that movie. Two ex-lovers come to a remote wedding of their sisters in Australia. In this book, they decide to fake a relationship to try to get their ex-es, also at the wedding, jealous. The main difference is the two main characters who fake being in love grew up together and hurt each other in their teen years.

Verena Valentine, famous dress designer and host of a well-regarded television show, pays for her sister’s Tory’s wedding in Australia. Her sister happens to be marrying the sister of the boy she hated in high school, Adrian Hunter. Verena’s and Adrian Hunter’s family arrive at the wedding destination. Unfortunately, Verena’s ex-boyfriend (Jake) and the woman who he cheated on her with (Hannah) are also there. Also present is Adrian’s ex-girlfriend (Isabelle). After a disastrous first meeting between Adrian and Verena, Adrian asks Verena if they can fake a relationship so that he may win Isabelle back. At first, Verena is resistant, but after coming face to face with Jake and Hannah, she agrees with Adrian’s idea.

From there, the two pretend to be a couple through couple’s yoga and snorkeling as well as more activities. Things go as planned until Verena’s co-workers show up, and Verena tries to fake a relationship with her costar (Darius) to repel Adrian. The alternating events of people faking and being honest continue throughout the plot.

This novel’s main goal is entertainment. Yet, the history between Adrian and Verena gives it some depth about people’s expectations and how history can form character. The book rates high both in its sexual and humorous scenes. The sex scenes are steamy without devolving into detail. The humor is first-rate. I highlighted many passages with a LOL next to them. The idea that everyone’s exes are at this wedding, though far beyond believable, makes for some hilarious situations.

Given that the plot is so similar to Anyone But You, how does this novel stack up against that movie? I enjoyed this novel better. The plausibility of the haters-to-lovers trope works better when they have a history. They fall for each other as they learn more about the other. That deep history works for this book and against the movie.

Do you like steamy, funny romances in exotic locations? Do you enjoy a bit of drama, a bit of absurdity, and a lot of l’amour? Then you’ll love Fake Dating Adrian Hunter.

Amazon: https://www.amazon.com/dp/B0BG5RNMVF

Review of From Horror With Love

Cover From Horror with Love

From Horror With Love is a novella full of short stories by C. Rae D’Arc set in her world of Novel. Novel is a unique world in which all the countries are genres of books. As such, Novel is made up of Fantasy, Western, Romance, Horror areas as well as many more. Each segment has characteristics unique to its genre, but all must periodically face an “event” particular to its theme. In Horror, for example, its inhabitants must confront a Haunting (i.e. an encounter with a monster, usually).

A novella is usually a short novel, but From Horror With Love, is broken into three sections: a novella set in Horror, a short story set in Romance, and a short novella set in Romance. All three feature characters from D’Arc’s novel Don’t Date the Haunted from her Haunted Romance series. The first offering is a prequel to the Haunted Romance series, the second mostly occurs during the events of Don’t Date The Haunted, and the third happens between books one and two. Interleaved are author segments explaining how each story came to be.

Mild spoilers of Don’t Date the Haunted abound in From Horror With Love so I suggest reading Don’t Date the Haunted first. I also believe you’ll get more out of it. In my opinion, reading this novella is a nice dessert at the end of the first novel. Does From Horror with Love stand alone? I believe so. It had been years since I read the original novel and was able to follow all three stories.

The first novella concerns a young teenaged lady from Horror who has become an orphan after her last relative dies. She partners with a Romance transplant to survive and start their adulthood. The culture clashes, suspenseful action, and creepy settings make this one a winner. If you love your horror stories mixed with a bit of romance, this one’s for you.

The second story, “Careful What You Wish For,” is more of a character study. The middle segment’s protagonist is a Fantasy lord who isn’t anything special in a world where everyone is. He attempts to find his true love in Romance. He’s about to get what he wants but not in the way he expects. The last offering is a love story set in Romance. This, however, isn’t your typical love story though it features a girl, a humbled ex-boyfriend, and a new paramour. Love triangle you may wonder. Think not!

The writing and humor contribute to the overall fun of the novel. And the story origins are welcome reading in between the fiction. If you are a writer, you may find some valuable lessons here.

This quick read will please horror and romance fans who are looking for something not too long. Also people who read the Haunted Romance series will enjoy this offering as well.

Amazon: https://www.amazon.com/dp/1961733080

Review of Havok Legendary

Havok has released its tenth collection of flash fiction—Legendary Havok: Season Ten. At this point, Havok has earned its stripes as a cornerstone of the flash fiction market. However, some series stretching into the double digits lose their groove. Not true with Legendary.

Legendary contains forty-five samples of flash fiction. I rate each entry with three scores: the level of entertainment, the mastery of writing, and how well it matches the theme. In this anthology, Havok was seeking stories of legends with twists whether those legends are people, places, events, etc. Many stories take a well-known legend and build an entirely new story around it. A few take legendary circumstances (e.g. a zombie invasion) and construct a tall tale. The tales the editors have selected are compelling and larger-than-life.

You’ll read about everyone from Robin Hood to Hades, everywhere from the fountain of youth to a mummy’s tomb, and events ranging from the Trojan War to pulling Excalibur from the stone. The stories range from humorous to sorrowful, quick-paced to deliberate. All of the stories share one thing in common—they are worth your while.

Havok has five themes of mystery, science fiction, humor, thriller, and fantasy. With a title like Legendary, it would seem many of the stories would land in fantasy. While fantasy has a large share of the pie, the other categories are also represented. Other genres of science fantasy, and contemporary make an appearance. I was delighted to find three solid horror stories in Legendary.

Tastes in short stories vary from reader to reader, but I had a few that ticked all of the ratings above. “The Santa Dilemma” by Nate Swanson, “Laid Bare” by Teddi Deppner, and “Lament of the Phoenix” by P. J. Benjamin. The one that stood out to me this time was “Bifrost” by Laurie Herlich. This story really pulled at the heartstrings, a perfect mix of legends and human, relatable events.

Havok’s Legendary flash fiction is an exciting anthology any lover of short fiction should read. If you enjoy your fables, tall tales, and incredible stories, make sure you check it out.

Amazon: https://www.amazon.com/dp/B0D54B83CG

Review of The Starless Sea

Cover The Starless Sear

When an author produces a masterpiece on her first attempt, it’s tempting to compare her second novel to her first. For Rita Morgenstern’s first two works, I won’t compare The Starless Sea to The Night Circus. They are different and only connected by the author’s literary talents.

Zachary Ezra Rawlins, a university graduate student, finds a book in his university’s library and checks it out to read. He discovers a passage in the book that describes one of his childhood memories. How does it happen that Zachary, a real person, is in a book? And how is the book tied to a clandestine society who believe in a world devoted to storytelling?

That summary doesn’t do this book justice at all. Many books have been written with self-aware characters. This book doesn’t even start with Zachary. Instead, it starts with a three-page chapter that not only captures the reader’s interest but imprisons it as well. The reader is reading the book-within-a-book Sweet Sorrows interwoven with Zachary’s narrative. And this is handled with care and precision and prose that reads like fine poetry.

Stories are made of three things: themes, character/plots, and the writing itself. Here, the writing itself is the superstar. It never fails through the entire book. Many authors would give up a lung to write one page as elegantly as Ms. Morgenstern. A nearly 600-page novel flies by on a wave of details and humor that makes readers force themselves not to read any longer. She truly has talent.

How does the story hold up? Filled with creativity, Morgenstern eschews the modern convention of setting rules and over-explaining how things could possibly work. This is more of a fable or fairy tale with an emphasis on art, specifically the art of storytelling. It asks why storytelling is important. It explores whether stories are still relevant today given so many would rather watch YouTube or get lost in a game. What the book has to say on this subject is illuminating. And again, the way the book tells stories is a magic trick I’ve never seen before.

Thematically, it’s rich. The prose is stunning. How are the characters and the plot? Here, the novel falters a bit. While the sub-plots are rich and the chapters entrancing, The Starless Sea feels aimless in the last hundred pages. Some of this is a switch of focus from a portal fantasy to a love story. There are three love stories, in fact. All feel underdeveloped, as if the characters are in love because that’s what is in service to the story. While one story, Simon and Eleanor’s, is fascinating with a jaw-dropping idea, it still feels like they fall in love because they should, not because they want to. As a fairytale, this works just fine. But there are reasons why fairy tales are short and not over five hundred pages.

I was also worried about the ending. Could The Starless Sea give the reader an ending that lived up to the first three-quarters of the book? I’m happy to say the book’s ending is solid, neatly tying things up. More importantly, it does justice to its theme of storytelling. Too many times in the modern world, the ending seems like an afterthought. Here, it’s essential and fulfills the promise given to the reader at the start. And what is that promise?
“Come with me. I’d like to tell you a story.”

Amazon: https://www.amazon.com/dp/B07MQPHKSL

Review of Sophie’s Key

Cover of Sophie’s Key

From the blurb of Sophie’s Key, I don’t know why I expected this novel to be a PG-rated Time-Traveler’s-Wife-type adventure. This novel is strong on romance, light on time travel, and just the right amount of action.

Sophie Sanders is a woman looking for a new start. After inheriting a farmhouse in Mount Pleasant, Utah, she starts fixing it up. Then she steps through a door that allows her to travel approximately 120 years into the past. There, she encounters the current owner of the house, a widowed Texas Ranger, Jacob, and his daughter, Meri. As Sophie tries to adjust to her surroundings, Jacob takes her in. And wouldn’t you know it, an attraction sparks between them. Meanwhile, a mysterious woman appears with a key that Sophie must keep near her to return to her time.

The novel smartly sets the time period in 1901. That date is modern enough that the reader believes Sophie could adapt to this lifestyle, but the year 1901 is far enough in the past that it’s unfamiliar in exciting ways. The characters of Sophie and Jacob are deeper than your average romance novel. And while the time travel isn’t ignored, it’s minimized in favor of where the plot needs to focus for its protagonist. The writing adroitly conveys all Sophie’s emotions in the right amount of detail. All in all, this makes this offering a strong entry in the sub-genre of romantic time travel.

Most of the first part of the book focuses on Sophie’s predicament, how she’ll return to her time, and her growing attraction to Jacob. While the pace isn’t slow, it’s leisurely. The romance happens so early, I wasn’t sure what would happen to fill the last three-quarters of the novel. The pacing and intrigue picks up in the second half of the novel. I wish a little foreshadowing or a viewpoint change in the first half of the period piece may have set the groundwork for what was to come. Overall, though, I was captivated by the last third of the novel.

Sophie’s Key is a superior romantic novel set in an under-utilized-but-fascinating time period. The solid writing and engaging characters are a cut above most romance books. If you’re a fan of the time traveling romance genre, Sophie’s Key is worth checking out.

Amazon: https://www.amazon.com/dp/B08CN8YZG3

Review of The French Powder Mystery

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The French Powder Mystery is a golden age novel “authored by” Ellery Queen who is also the protagonist. The true authors were cousins Frederic Dannay and Manfred Lee who collaborated on many of this celebrated sleuth’s mysteries. The first eight published are known as the international series because they have a reference to a country in the title. I’ve read four. They’re often called puzzlers because of their intricate plots, intriguing hooks, and whodunnit plot device.

In my research, The French Powder Mystery is not the best in the series but ranks highly. Ironically, none of the international series are set in countries outside the U.S. The international word refers to an object, person, or plot device. In this case, the main characters’ last names are French. The setting is 1930 New York and a department store (remember them?) with a window display (remember that?) has a demonstration at noon every day of the bedroom of the future. A hostess wordlessly gestures to the various devices of the room of the future and lowers a bed folded into a wall. On the bed is the store owner’s wife, shot twice through the chest.

To read a Golden Age mystery in modern times, one must be willing to shift one’s mindset away from modern conventions. First, this novel contains racial stereotypes that neither I nor most level-headed readers would endorse. Unfortunately, this was the norm in the 1930s, and the authors wrote to their audience then. Thank goodness this has been purged from our social norms. I didn’t like it but won’t dismiss the rest of the novel because of it. Second, the pace is s-l-o-w, like watching an earthworm cross a sidewalk slow. I would challenge the reader to learn to read slower novels. I find a slower pace relaxes my reading and results in more enjoyment “along the way.” Last, the detective makes a few contrivances that would never fly today. The old “the killer’s mindset would only lead him to do X” worked in 1930 but less so today. But if you get by these three antiquated points, you have a treasure trove of novels to choose from if you’re a mystery reader.

This Ellery Queen mystery is almost like a play where most of the setting is the department store. Very few scenes occur outside, and the reveal happens in the room of the murder. The characters are mostly shallow. Yet, one of the victim’s daughters has some darkness to her, and the victim’s ex-husband is an interesting character. The powder from the title is a great clue itself and has multiple meanings throughout the story. Overall, I enjoyed the story, especially the hook. And the novel plays fair. If readers follow the clues, they should uncover the murderer. But the clues are subtle, and The French Powder Mystery could be one of the novels where you didn’t see the ending coming.

The hooks were all great in early Ellery Queen novels. I found them more fascinating than even the Queen of Crime, Agatha Christie (but not John Dickson Carr—he’s the best). If you’re interested, here are others in the series.

The Roman Hat Mystery – Murder in a theater where the unusual clue is a missing hat.

The Dutch Shoe Mystery – A woman, wheeled in for surgery, is found to be dead on the gurney.

The Greek Coffin Mystery – A missing will leads to an exhumed coffin, resulting in a second corpse.

The Egyptian Cross Mystery – A series of murders start with a beheading and nailing the corpse to a cross.

The American Gun Mystery – A murder occurs at a rodeo in front of hundreds of spectators.

The Siamese Twins Mystery – (Considered the best) The detectives are trapped in a house at the top of the hill while a fire rages below.

The Chinese Orange Mystery – A corpse is found with his clothes backward and the furniture in the room reversed.

The Spanish Cape Mystery – A corpse is found on a beach with no footprints leading to the victim.

Amazon: https://www.amazon.com/dp/B00B1MSIT6

The Witches of Deliver Us

Another outstanding illustration by Daniel Johnson, this depiction of the witches of Deliver Us delivers all the salient details of our three main villains. Pictured left to right is Picana, Mya, and Tomana. Picana uses lightning to torture her victims. Insane Mya’s go to method is poison. Tomana is the least vicious, more of the knife-in-your-back type.

Deliver Us is a fantasy novel available at Amazon that includes three evil witches, royal fairytale queens, curses, powerful artifacts, and animated tattoos.

Three witches behind a cauldron
Illustration by Daniel Johnson

Review of Tales from the Forest

Cover Tales from the Forest

Full disclosure that I have a story in this anthology. I will only be reviewing the rest of the stories. All remarks below exclude my own story, including the count—twelve stories exist in this anthology.

The fairy tale of Red Riding Hood is a cautionary tale in the category of “kids in trouble.” The other two main types are “true love” (e.g. Cinderella) and “plucky hero” (e.g. Puss in Boots). Ye Olde Dragon Press has released three anthologies before Tales from the Forest all falling into the “true love” category. With its focus away from romance, this Riding-Hood-themed book was a welcome addition to the series.

The editors asked the authors to think creatively when writing about Red Riding Hood and the result is a wide range of ideas. Four of eleven short stories are contemporary or thrillers. At least three of the stories would best be enjoyed by eighteen and older. The character of Red Riding Hood is everything from a villain, to a soldier, to a spy. Very few of the stories would be classified as humorous, though humor is sprinkled throughout many of the stories.

Everything here is executed with style, and the stories elevate the anthologies to one of the better selections on the market. Tastes vary, but a few stood out to me. First, I evaluated the story itself, independent of its fairytale origins. Then, I rated the story based on how creatively it took its theme and presented a new story.

Ignoring the Red Riding Hood theme, the three tales I enjoyed the best were A Cactus Among Wolves by Yvonne McArthur, The Ways of a Wolf by Lindsi McIntyre, and Kelli and Kirmizi by Michelle Houston. These three brought a first-rate story to the pages and built fascinating characters and settings.

For the other rating (i.e. the twist on Red Riding Hood theme), kudos to Crimson Spy by Jessica Noelle, Woodland Cravings by Rachel A. Greco, and Red Wolf by Michelle Levigne.

A third category is the stories that balanced the two the best. Face the Wolf by Kathleen Bird and The Night of the Mindbender by Stoney M. Setzer received honors here.

Overall, something exists for everyone in this anthology. Whether you cheer on Red Riding Hood, enjoy a good wolf story, or think Grandma is the winner, you’ll find something here for you.

Ye Olde Dragon Site: https://yeoldedragonbooks.com/anthologies/

Amazon: https://www.amazon.com/gp/product/B0CW1BYDSY

Seeing Red: A Reflection

Cover of Seeing Red

Looking at my last name and the last name of the author of Seeing Red, you’ll understand why this isn’t a review. My brother is author T. M. Doran. As such, this posting is not a proper review of this novel, it won’t receive a rating, and it won’t be posted to popular reading sites. This is a post to introduce the characters and plot of Seeing Red and reflect on why it’s an important novel for our times.

The world of this novel is an alternate Earth that bears many resemblances to our own. Seeing Red starts with a screenplay writer and Oscar winner named Castro Hume who is in a slump. He seeks inspiration from the still-standing set of the movie—the movie that garnered him his cinematic trophy. The movie set borders a protected forest in the northern lower peninsula of Michigan. Castro is escorted around the facade by a caretaker who becomes less and less friendly the more the screenwriter pushes. When Castro’s car breaks down, he hikes back to the set to discover a secret that will change his life.

Later, Castro finds out about a suppressed segment of society named Red Cards. Whether for physical deformities, mental limitations, terminal illnesses, or resistance to authority, people who are issued red cards are served a doomsday sentence. Urged to euthanize, certain Red Cards instead elect to go on the run. Castro spends most of the novel interacting with a group of Red Cards.

Suspense, mystery, action/adventure, and a dash of science fiction are the novel’s primary inspirations. The underlying theme explains our species’ continued blindness to the value of human life. The chilling fates of the Red Cards and the vicious pursuit by the ironically named Social Services Bureau (the SSB) reflects our own times. We often fear to speak up when our government or popular opinion bullies others. The novel, though dark, has its uplifting moments as well. Hope may be found within a dystopian world.

Seeing Red is available from Ignatius Press and on Amazon. https://www.amazon.com/dp/1621646394

Review Dead of Winter

I read Dead Leaves by Kealan Patrick Burke and added Dead of Winter immediately to the list. Dead Leaves is a great novel to read at Halloween and during autumn. Dead of Winter, which targets Christmas and wintertime, is not quite at the level as its cousin collection.

A sample of the stories include mysterious snowmen who appear out of nowhere, a man trapped with his failing-memory father, and a snowstorm that empties a small town. The creep factor of the stories increases at how Burke expresses the isolation winter naturally brings. This sense of loneliness pervades most of the stories and works to their advantage. And the writing is quite good. I have no doubt Kealan Patrick Burke is a master storyteller. All the stories kept me glued to the page.

Yet.

Snowmen, Father Christmas, and winter storms are all present, yet the predominant feeling I left this collection with was depression rather than fear. Some stories succeed better than others, Visitation Rights and They Know, but others left me (pardon the pun) cold. None of the offerings are not good, but do they belong in a collection that promises horror stories about winter? A few of these could have been set at any time of the year.

Overall, if you want your horror stories introspective, dourful, and more Poe than Lovecraft then this is a collection for you. Uncanny, speculative stories do exist here, but you’ll have to make your way through many of the offerings here to get to them.

Amazon: https://www.amazon.com/dp/B004GHN5YG